Last night, I found proof that the theatre gods exist. That’s a pretty big claim to make – what event could be so huge?? I’ll tell you: in June 2014, Kenneth Branagh is making his New York stage debut!!!
Why is this a big deal? For a number of reasons!
– First off, Branagh has brought so much to the world of Shakespeare in performance. He has directed a number of Shakespeare films, including As You Like It and Much Ado About Nothing, and has performed some of the greatest Shakespearean roles, including Hamlet, Richard III, Iago, and Henry V. At the rate he’s going, it’s no surprise that people (myself included), consider him the Laurence Olivier of our generation.
– He’s just getting off an eleven-year hiatus from the Shakespearean stage. He has spent the interim busying himself by directing small art house films like Thor, you’ve probably never heard of it.
– Branagh’s initial return to the Shakespearean stage was this summer, where he co-directed, and delivered a critically acclaimed performance of Macbeth for the Manchester International Festival. The incredibly short run, only 18 performances, was fuelled by such high demand that it sold out instantly. I was so excited when I found out that he’d be performing in England at the same time that I was there, but no matter who I begged, what scalpers I Googled, or which favours I tried to call in, the response was the same: sold out.
– Despite the demand, the audiences were limited to less than 300 viewers per performance. To appease disappointed Bardolators, the production was at one point relayed on giant screens outside the theatre in Manchester, bringing in no less than 5000 people!
– For those of you who indulge in the “Mackers Myth” (the rubbish superstition that saying the name “Macbeth” will bring your production bad luck), according to some shady reports, one actor in Manchester was struck by Branagh’s sword, and needed to go to the hospital after final curtain.
– In an age of unique Macbeths, this one made its presence known by being staged in a deconsecrated church in Manchester. And while I have every intention of dashing to the movie theatre on October 17 to catch National Theatre Live’s broadcast of the Manchester production, I am still going to jump on the opportunity to book tickets for the New York production. As opposed to making his New York stage debut on Broadway, Branagh’s Macbeth will be staged at the Park Avenue Armory. Rather than replicating the original production, it will be re-imagined to best suit the vast, 55,000-square-foot Wade Thompson Drill Hall.
– Although Branagh calls this setting “epic”, Charlotte Higgins of The Guardian teases us by saying that the space has a capacity for audiences sized anywhere between 200-5000! I can’t tell if I’d prefer the former or the latter, as long as I can be one of them!
So: where will you be in June 2014?